Oral Tradition Volume 9, Number 1March 1994
Table of Contents
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On the Sense and Nonsense of Performance Studies Concerning Oral Literature of the Bulsa in Northern Ghana by Rüediger Schott |
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Silent Voices: The Role of Somali Women’s Poetry in Social and Political Life by Zainab Mohamed Jama |
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Introduction: The Search for Grounds in African Oral Tradition by Lee Haring |
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Social Speech and Speech of the Imagination: Female Identity and Ambivalence in Bambara-Malinké Oral Literature by Veronika Görög-Karady |
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Pattern, Interaction, and the Non-Dialogic in Performance by Hausa Rap Artists by Graham Furniss, Sa'idu Babur Ahmed |
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Through Ambiguous Tales: Women’s Voices in Chokwe Storytelling by Rachel I. Fretz |
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Field of Life, Sowing of Speech, Harvest of Acts by Sory Camara |
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Oral Literary Criticism and the Performance of the Igbo Epic by Chukwuma Azuonye |
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Freedom to Sing, License to Insult: The Influence of Haló Performance on Social Violence Among the Anlo Ewe by Daniel K. Avorgbedor |
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Women’s Discourse on Social Change in Nzema (Ghanaian) Maiden Songs by K.E. Agovi |
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