Oral Tradition Journal

African Oral Tradition

Oral Tradition Volume 9, Number 1

March 1994

Table of Contents | Editor's Column | About the Authors

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Table of Contents

On the Sense and Nonsense of Performance Studies Concerning Oral Literature of the Bulsa in Northern Ghana

by Rüediger Schott

Silent Voices: The Role of Somali Women’s Poetry in Social and Political Life

by Zainab Mohamed Jama

Introduction: The Search for Grounds in African Oral Tradition

by Lee Haring

Social Speech and Speech of the Imagination: Female Identity and Ambivalence in Bambara-Malinké Oral Literature

by Veronika Görög-Karady

Pattern, Interaction, and the Non-Dialogic in Performance by Hausa Rap Artists

by Graham Furniss, Sa'idu Babur Ahmed

Through Ambiguous Tales: Women’s Voices in Chokwe Storytelling

by Rachel I. Fretz

Field of Life, Sowing of Speech, Harvest of Acts

by Sory Camara

Oral Literary Criticism and the Performance of the Igbo Epic

by Chukwuma Azuonye

Freedom to Sing, License to Insult: The Influence of Haló Performance on Social Violence Among the Anlo Ewe

by Daniel K. Avorgbedor

Women’s Discourse on Social Change in Nzema (Ghanaian) Maiden Songs

by K.E. Agovi

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